Here I Am Once Again Im in Need of Resurrection Release Date
| "Behind These Hazel Optics" | ||||
|---|---|---|---|---|
| International artwork | ||||
| Single by Kelly Clarkson | ||||
| from the anthology Breakaway | ||||
| Released | April 12, 2005 (2005-04-12) | |||
| Recorded | 2004 | |||
| Studio |
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| Genre |
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| Length | three:19 | |||
| Label | RCA | |||
| Songwriter(s) |
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| Producer(s) |
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| Kelly Clarkson singles chronology | ||||
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| Music video | ||||
| "Backside These Hazel Eyes" on YouTube | ||||
"Behind These Hazel Eyes" is a song by American singer Kelly Clarkson for her 2nd studio anthology, Breakaway (2004). It was written by Clarkson with the vocal's producers Max Martin and Dr. Luke. The vocal was released on April 12, 2005, as the second single from the anthology. Clarkson considered "Behind These Hazel Eyes" equally one of her favorite songs and she once intended to proper name Breakaway after the vocal. "Backside These Hazel Optics" is an uptempo song that incorporates crunchy guitars which are pulsated with driving beats and anthemic choruses; it narrates Clarkson's broken relationship with her ex-boyfriend.
"Behind These Hazel Optics" peaked at number six on the Billboard Hot 100 and stayed inside the meridian 10 in the chart for fifteen weeks, a record for the longest time spent in the top ten for a vocal that did not hit top five, until it was beaten past Rihanna's "Needed Me" in 2016. It besides became Clarkson'southward starting time vocal to top the Adult Pop Songs chart. It was certified platinum from Recording Industry Clan of America (RIAA) for selling over 1 million digital downloads. Elsewhere, the song charted in the height 10 in Commonwealth of australia, Republic of austria, Ireland, Netherlands, New Zealand and the United Kingdom.
The song's accompanying music video was directed by Joseph Kahn and produced by Danyi Deats-Barrett. The concept of the video was conceived by Clarkson and depicts her as a bride who experiences some dream-like hints that her fiancé is having an affair with a brunette anniversary attendee. The music video premiered online at MTV and it likewise received heavy rotation on Total Request Live. The song was performed live by Clarkson at numerous venues, including the Breakaway Earth Bout (2005) and the All I Always Wanted Bout (2009).
Background and writing [edit]
In 2004, Clarkson flew to Sweden to collaborate with Max Martin and Lukasz "Dr. Luke" Gottwald for her album, Breakaway.[ii] Clarkson and Martin were interested in turning in a more stone direction, as opposed to the "slick popular" with which they were identified. The songs "Since U Been Gone" as well every bit "Behind These Hazel Optics" were the products of their collaboration.[2] According to Dr. Luke, "Behind These Hazel Eyes" was sent to Clarkson without any lyrics as part of an olive branch to the singer. He explained,
We had simply washed with "Since U Been Gone," which everyone was happy with. We sent a crude version of "Behind These Hazel Optics," without whatsoever lyrics, to Kelly and Clive Davis. It was in role an olive branch to Kelly, considering there was miscommunication on "Since U Been Gone," where Kelly had written some lyrics and Max and I didn't know about it and we had finished the song. And so we wanted to write "Backside" with her from the get-go, just we were in dissimilar places. She had just won "American Idol" and was on tour, so she'd e-mail me lyrics, and I'd electronic mail her my thoughts.[3]
In an interview with Entertainment Weekly, Clarkson explains that "Backside These Hazel Eyes" is "about the dipstick who completely screwed up and now is unhappy and you're happy."[4] She too considered the song as one of her favorites that she once intended to proper noun Breakaway after the song.[5] Critics speculated that the vocal reflects Clarkson's intermission-up with David Hodges, an ex-member of Evanescence. According to MTV, the song was originally written prior to the break-up. Nonetheless, Clarkson decided to tweak the vocal lyrics after breaking upwardly with Hodges to limited her emotional hurting.[6] Clarkson besides said that the song almost did not make information technology into the album.[7] She explained, "It had different lyrics in the beginning [...] I concluded up calling Luke [Lukasz Gottwald], the author, and we did a totally dissimilar song to it. Information technology's now my favorite vocal on the tape. Crappy relationships [make for] a expert song."[seven]
Limerick [edit]
"Behind These Hazel Eyes" is a ability ballad that was written by Clarkson, Max Martin, and Dr. Luke and produced by the latter two.[7] [8] Co-ordinate to the sheet music published at Musicnotes.com by Alfred Publishing, it is set in common time and has a moderate tempo of 90 beats per minute. It is equanimous in the key of F sharp pocket-sized with Clarkson'southward vocal range spanning over ii octaves from F#three to F#5.[9] The bridge was the just function of the song that was written by Dr. Luke and Martin together with Clarkson face to face.[iii] The song begins with Clarkson wailing "oh oh oh" over a restless percussion.[x] In the first poetry, the music becomes quiet to focus on Clarkson'due south song as she wails "Seems like simply yesterday/You were a role of me/I used to stand so tall/I used to exist so strong/Your artillery around me tight/Everything it felt so right/Unbreakable like nothing could go incorrect."[10] During the chorus, the sound of electronic guitar is ascendant every bit she vocalizes "Here I am/Once again/I'm torn into pieces/Can't deny information technology/Can't pretend/Just thought y'all were the one/Broken up deep inside/But you won't go to meet the tears I cry/Behind these hazel eyes."[ten] Gil Kaufman of MTV noticed that the song "soared on crunchy guitars, driving beats and anthemic, agitated choruses."[11]
Lyrically, the song narrates the story of a failed relationship which initially started off well. Clarkson regrets having allowed herself to be vulnerable to her ex-boyfriend and she is determined that despite the pain that she feels, he will non become the satisfaction of seeing her cry.[12] Michael Paoletta of Billboard praised Clarkson'southward song, writing "Clarkson simply delivers a loose, tour-de-strength song that simmers alongside a steroid-charged musical backdrop that is fun, fast and furious."[13] Scott Juba of The Trade praised the production of the song, writing "The song's strong hook pulls listeners in and involves them in the lyrics without ever becoming gimmicky or manipulative." He too complimented Clarkson's vocal which "oscillates between hurting and defiance with near pinpoint accuracy."[14]
Reception and accolades [edit]
Critics thought that "Behind These Hazel Eyes" showcases Clarkson's vocal prowess.
Elizabeth Scott of Sky Living wrote, "while Clarkson is doing well musically, her love life still hasn't picked up and she is heartbroken in one case again. I'm sure the idea of another summit ten hit might cheer her up!"[15] Scott Juba of The Trades considered "Backside These Hazel Optics" equally the highlight of the album, writing "At present that [Clarkson is] a few years older than she was when she recorded her showtime album, she brings more authenticity to relationship songs."[14] Evan Sawdey of PopMatters compared "Don't Let Me Stop You" (2009) with "Backside These Hazel Eyes" saying that the quondam "may sound like another rewrite of an older Clarkson hit (in this instance, "Behind These Hazel Eyes"), simply the observational lyrics nearly a questionable relationship are what ultimately makes the whole thing click."[xvi] Charles Merwin of Stylus Magazine felt that the song should sell records more because "the entire musical bankroll drops out to let Clarkson's voice through to live or die on its own."[17] Pam Avoledo of Blogcritics believed that "Backside These Hazel Eyes" was superior to the writing of "Since U Been Gone", commenting that "It's punchier, well-written and gives Clarkson a run a risk to bear witness off her vocal skills without the trendy haughtiness."[ten] Joe Cross of Cox Communications thought that "Behind These Hazel Optics" was a decent follow-up to "Since U Been Gone", saying "It's no "Since U Been Gone" which is only a popular-rock juggernaut, but every bit follow-ups go, it's not also shabby. Clarkson'south downwards-home everything (well, mostly her looks) sells these footling heartbreak haikus exceptionally well." He likewise listed "Behind These Hazel Eyes" every bit one of the 40 songs that defined the summer of 2005.[18] The same sentiment was echoed by Robert Copsey of Digital Spy who considered the vocal as Clarkson's second best unmarried after "Since U Been Gone", writing "It proved a slow burner at the time of release, merely this track'due south greatness continues to be realised over time."[19]
"Behind These Hazel Eyes" was listed at number five on Billboard magazine'due south list of Songs of the Summer of 2005.[20] In 2015, the same publication ranked the song at number four on its list of Peak 100 'American Idol' Hits of All Time.[21] Information technology besides appeared at number three on the list of Kelly Clarkson's Pinnacle 15 Biggest Billboard Hot 100 Hits.[22] Chris Kal of WKNS ranked "Behind These Hazel Eyes" at number four in his list of "Top x Summertime Songs From 2005".[23] Sam Lamsky of PopCrush described the vocal as "a surefire fan favorite" and ranked information technology at number 9 in his list of "Top 10 Kelly Clarkson songs".[5] Beak Lamb of Near.com put the song at number 62 on his listing of "Elevation 100 Popular Songs of 2005".[24] The song was nominated in the category for Vocal of the Year: Mainstream Striking Radio in the 2005 Radio Music Awards.[25] At the 24th ASCAP Popular Music Awards, the song was honored with the Most Performed Songs laurels.[26] In January 2010, "Behind These Hazel Optics" was the fifth about played song of the last decade by American Idol performers.[27] According to Nielsen Circulate Data Systems, the vocal has been played 513,149 times through the week ending March 24, 2010.[28]
Nautical chart performance [edit]
"Behind These Hazel Eyes" debuted at number fourscore-7 on the Billboard Hot 100 on the calendar week ending, Apr 23, 2005.[29] The song stayed inside the top 10 in Billboard Hot 100 for fifteen weeks before peaking at number half dozen on the week catastrophe June xi, 2005.[30] [31] [32] It consequently held the tape equally the song with the almost weeks in the chart'southward meridian 10 without hitting the tiptop 5, before being surpassed by Rihanna'southward "Needed Me" which spent sixteen weeks in the elevation x simply only peaked at number seven, eleven years later on in 2016.[33]
On the week ending May 28, 2005, "Backside These Hazel Eyes" jumped from number seven to number three on the Billboard Pop 100 Airplay chart.[34] With "Since U Been Gone" belongings steady at number two, the ascent fabricated Clarkson the outset artist with two songs in the top iii of the chart.[35] The song also appeared on the US Pop Songs at number 30 on the week ending Apr xxx, 2005,[36] and peaked at number two on the week catastrophe July 9, 2005.[37] It spent seven consecutive weeks at number two and was held off the peak spot by Mariah Carey's "We Belong Together". It became the sixteenth ranked single of the 2000s decade on the Pop Songs chart compiled past Billboard.[38] On the Billboard 's Radio Songs, the song peaked at number four on August 6, 2005.[39] On the calendar week catastrophe August 27, 2005, the song topped the Adult Pinnacle forty and stayed in the position for 5 consecutive weeks.[xl] [41] On January 31, 2008, "Backside These Hazel Eyes" was certified platinum by the Recording Manufacture Association of America (RIAA).[42] The song has sold 1,644,000 digital copies in the United states of america as of September 2017.[43]
Internationally, "Behind These Hazel Eyes" was a commercial success. In Australia, the vocal debuted and peaked at number 6 on the week catastrophe July three, 2005.[44] In New Zealand, the vocal entered New Zealand Singles Chart and peaked at number seven on the week ending July 4, 2005, as the highest debut of the calendar week.[45] In the Great britain, the vocal also debuted and peaked at number 9 on the week ending October 1, 2005.[46] In Ireland, the song debuted at number nine on the calendar week ending September 22, 2005,[47] and peaked at number four on the calendar week catastrophe November 3, 2005.[48]
Music video [edit]
Groundwork and release [edit]
The music video was directed by Joseph Kahn and was produced past Danyi Deats-Barrett.[49] It was shot for 2 days in April 2005 in Toronto at a Church and a sound stage while Clarkson was on tour.[50] According to Kahn, Clarkson was ill during the production and could not speak. During Clarkson's wardrobe plumbing equipment, they communicated together using notes written by her.[51] Though she is seen speaking and is interviewed in the behind the scenes footage.[52] Access Hollywood reported that a single sprinkler was used to produce pelting in the music video. The concept of the music video was conceived by Clarkson. She explained, "The whole thing is a metaphor about a cleaved fairy tale [...] You think everything is going well, and and then reality kicks your butt. It'due south kind of a sad video, simply information technology'south going to be my all-time ane. It's real, and that's why people like me."[50] Clarkson besides added that after the production of the music video was completed, she had bruises and a greenish-and-yellow splotch on her left biceps.[50] The music video premiered online on May 9, 2005, on MTV.[53] On May xvi, 2005, information technology premiered on Total Asking Alive where it debuted at number 5 on the chart the post-obit 24-hour interval.[54]
Synopsis [edit]
The music video begins with Clarkson continuing in a room wearing a white wedding dress. Holding a boutonniere of cerise roses, she is surrounded by her bridesmaids as they prepare for her wedding. She sits down on a sofa and sees a wedding photo of her fiancé with another woman equally a storm grows outside. The bridesmaids are unable to close the windows then they run out of the room leaving Clarkson alone, who is seen dropping the bouquet of rose equally well as the wedding photo from her easily onto the floor. The next scene shows Clarkson walking downward the aisle in a church wearing a blackness dress. She sees a bride standing at the chantry with her fiancé, getting married. When she draws the veil of the helpmate, she realizes that the bride is the woman from the photo.
Clarkson, who is now wearing a white hymeneals dress, runs out of the church and into a dark swamp. A montage of Clarkson singing with her ring in a dark swamp is shown alternately with scenes of Clarkson running in the forest and lying on the ground. Clarkson is as well seen standing inside an abased firm, wearing a voluminous blackness wearing apparel. As the rain starts to fall, Clarkson finally collapses, kneeling on the ground while looking at and being comforted past her other cocky who is singing with the band.
The scene shifts to a present twenty-four hours, where Clarkson is standing at the altar, exchanging vows with her fiancé. Earlier he puts the ring on her finger, she looks at the guests and notices that the woman from the photo is among the audience. She sees her fiancé exchanging a smiling with the adult female as the woman blows him a kiss. Clarkson and so reaches for the ring and throws information technology at her fiancé, before running away from the chantry. She throws her hymeneals bouquet into the lap of the adult female and shoves her way past the wedding guests who are trying to end her from leaving. The video ends with Clarkson stepping out the doors into the bright sunlight.
Reception [edit]
James Dinh of MTV Newsroom listed "Behind These Hazel Eyes" as one of the music videos with "a bad case of the runaway bride syndrome," writing, "Throughout the clip, Clarkson finds herself running through a swampy mud state until she snaps out of her visions, refuses to keep with the wedding ceremony and makes a shocking escape out of the church building."[55] Andrea Holmes of AOL ranked "Behind These Hazel Eyes" at number five in her list of "Acme Hymeneals Music Videos: fifteen Clips for the Big 'I Do'." She commented, "The perfect illustration of our bespeak about wedding videos, 'Behind These Hazel Optics' takes an atypical approach to wedlock [...] Throughout the video the weather is dark and rainy, matching the story line, but when Clarkson ditches the wedding and runs out of the church building, she is greeted with sunshine.[56] Johnni Macke of E! opined that the video was intense, writing "She is heartbroken and "torn into pieces" throughout the video once she discovers her love is marrying someone else and it results in epic cemetery stone sessions and rolling in the mud."[57] Lyndsey Parker of Yahoo! Music put the song'due south music video at number 22 on her list of the best union-themed musical videos of all time.[58]
In an interview with MTV, the lead vocaliser of Yellowcard, Ryan Primal, praised Clarkson in the music video. He said, "She is so unbelievably gorgeous in that video that is all over TV right at present [...] The wet hymeneals dress and the wet pilus and ... come on, man! Who knew? She is so hot. She looks so good in it."[59] Robert Copsey of Digital Spy opined that the music video is Clarkson's best video to engagement.[xix] The music video had a successful run at Full Request Live where it topped the chart for 33 days, a record that Clarkson holds for the longest stay by a female person artist at number one on the chart.[60] [61]
Live performances [edit]
Clarkson performing the song wearing the wedding dress featured in its music video
"Behind These Hazel Optics" was included in the setlist of Clarkson'south Breakaway Earth Tour (2005). During her concert tour at Germain Arena, Clarkson performed the vocal wearing the same wedding ceremony dress she wore in the vocal's music video.[62] Clarkson too performed "Backside These Hazel Optics" on her All I E'er Wanted Tour (2009). While touring at Hammerstein Ballroom, New York Urban center, Clarkson sang the stripped downward version of the song, accompanied by guitars and vocal.[63] Caryn Ganz of Rolling Stone felt that Alanis Morissette'south influence was evident on the chorus of "Backside These Hazel Eyes" which was performed acoustically in the event.[64] Clarkson explained that the organization was intended to maximize audience sing-forth potential in which Jim Cantiello of MTV thought was constructive.[63] In December 2011, Clarkson likewise performed "Backside These Hazel Eyes" on Chicago Theatre equally role of the Phenomenon on State Street benefit concert. Bob Gendron of the Chicago Tribune reviewed Clarkson's functioning, writing "the Texas native could've impressed but by projecting her booming voice and relishing its biggy range. Yet she seemed determined to reinforce female person empowerment themes often missing from her mainstream-popular contemporaries' hits."[65]
Cover versions [edit]
"Behind These Hazel Eyes" was covered by Cassadee Pope in the third season of The Voice. According to Pope, she decided to sing the song in social club to reach out to her father who divorced from her female parent when she was yet 11 years old.[66] Her rendition was praised past Christina Aguilera proverb, "I got to feel your heart."[67]
Track listings [edit]
- Digital download and CD single [68]
- "Backside These Hazel Eyes" (Album Version) – 3:16
- "Behind These Hazel Eyes" (Alive @ Sony Connect) – 3:39
- "Backside Theze Hazel Eyes" (Enhanced CD Video) - three:sixteen
- Backside These Hazel Eyes – EP [69]
- "Behind These Hazel Eyes" (Joe Bermudez & Josh Harris Mixshow Edit) – 3:29
- "Behind These Hazel Eyes" (Joe Bermudez & Josh Harris Mixshow Remix) – five:24
- "Backside These Hazel Eyes" (Joe Bermudez & Josh Harris Mixshow Instrumental) – five:25
- "Backside These Hazel Eyes" (Joe Bermudez & Josh Harris Summit twoscore Radio Remix) – 3:10
- "Backside These Hazel Eyes" (Joe Bermudez & Josh Harris Acappella) – 2:58
Credits and personnel [edit]
Recording
- Recorded by Max Martin, Dr. Luke, Lasse Marten and Kevin Yard. Guarnieri at Maratone Studios, Stockholm, Sweden and Dr. Luke'south NYC & Westlake Audio, Los Angeles, California.
Personnel
- Kelly Clarkson – lead vocals and background vocals
- Shawn Pelton - drums, background vocals
- Dr. Luke – producer, instruments
- Max Martin – producer, instruments
- Johan "Brorsan" Brorsson – pro-tools engineer
- John Hanes – pro-tools engineer
- Serban Ghenea – mixing
- Tim Roberts – mixing assistant
Credits adapted from the liner notes of Breakaway.[seventy]
Chart positions [edit]
Certifications [edit]
Release history [edit]
References [edit]
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{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link) - ^ "Kelly Clarkson – Backside These Hazel Eyes". ARIA Top l Singles. Retrieved March 8, 2012.
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{{cite spider web}}: CS1 maint: archived copy every bit title (link) - ^ "Behind These Hazel Eyes (2005) | Kelly Clarkson | MP3 Musikdownloads …". Archived from the original on August 23, 2013.
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Source: https://en.wikipedia.org/wiki/Behind_These_Hazel_Eyes
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